![]() ![]() – Attractive choralpieces which can be combined to form a short mass. The Piano reductions are straightforward, clearly presented and preserve the character of the works. ![]() ![]() Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. It is a purely a choral workwithout solo passages.īoth works can be performed independently but can also be combined as a kind of short mass. The date of its composition remains unclear. The same mastery has also been applied to the Kyrie RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. In the twelve movements of the Gloria, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scoredsolopassages. The scoring of the solo voices (SSA) suggests that the work was written duringhis period at the Ospedale della Piet, around 1716. ![]() However, it was probably also performed within church services. Vivaldi wrote the Gloria as a self-contained work in the style of a concertante mass. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Today the Gloria RV 589 (BA 7674) is one of Vivaldis best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. It can be performed together with the Gloria as a type of short mass.īoth arrangements are based on the recently published Urtext editions of these works. The “Kyrie” RV 587 (BA 8954)for two choirs and two string ensembles, as arranged here for female choir, displays its own charm. The work, when set for female voices or children’s choir, remains a true masterpiece. Taking this into account, Malcolm Bruno’s careful arrangement for choir SSAA is of some relevance. The work was, in all probability, composed around 1716 during Vivaldi’s time at the Ospedale della Pietà, an orphanage for girls in Venice.Īlthough Vivaldi’s “Gloria” (BA 8953) was written for solo voices and mixed choir, it is likely that it was performed at the girls’ orphanage with female voices only. The “Gloria” RV 589 is one of Vivaldi’s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. ![]()
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